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Richard I. Suchenski Projections of memory
romanticism, modernism, and the aesthetics of film
Introduction -- The era of the image has arrived -- Towards the temenos: Gregory Markopoulos' Eniaios -- "We are no longer innocent": the long form aesthetic of Jacques Rivette -- The sense of an ending: Jean-Luc Godard's Histoire(s) du cineĢma -- Conclusion
Engels | 320 pagina's | Oxford University Press, New York, NY | 2016
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