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Orpheus Institute Ohne Worte
vocality and instrumentality in 19th-century music
The musical thought and practice of canonical composers. What can music tell us-without words? Can it depict scenes, narrate stories, elucidate beliefs? And can it be an instrument through which we access the inner lives not only of musicians from the past but of ourselves, today? In Ohne Worte five scholars and performers probe these and related questions to illuminate both the experience and performance of nineteenth-century music. Drawing on a rich range of sources, they reveal the musical thought...
Non-fictie
Engels | 230 pagina's (PDF, 10 MB) | Universitaire Pers Leuven, Leuven | 2017
E-book
Benjamin R. Levy Metamorphosis in music
the compositions of György Ligeti in the 1950s and 1960s
Engels | 292 pagina's | Oxford University Press, New York, NY | 2017
Gedrukt boek
Schoenberg's program notes and musical analyses
Engels | 468 pagina's | Oxford University Press, New York | 2017
Gedrukt boek
Aurelia Visovan Fortepiano vs. modern piano
musical and technical observations made during recording Beethoven's Sonata op. 10 no. 2
Engels | 45 pagina's | AV Akademikerverlag, Beau Bassin, Mauritius | 2017
Gedrukt boek
Clemency Burton-Hill Year of wonder
classical music for every day
Engels | 442 pagina's | Headline Home, an imprint of Headline Publishing Group, London | 2017
Gedrukt boek
Armando Iannucci Hear me out
all my music
Engels | 278 pagina's | Little, Brown, London | 2017
Gedrukt boek