Zoekresultaten
Resultaat 1 - 20 (van 31)
Michael Pilhofer | Holly Day Muziektheorie voor dummies®
Non-fictie
Nederlands | 326 pagina's | BBNC uitgevers, Amersfoort | 2020
Gedrukt boek
Hugo Pinksterboer | Bart Noorman Tipboek muziek op papier
basistheorie
Non-fictie
Nederlands | 248 pagina's | The Tipbook Company, Heemstede | 2010
Gedrukt boek
Peter van Vleuten Zo word je een songwriter
Non-fictie
Nederlands | 162 pagina's | Uitgeverij Nanda, Apeldoorn | 2023
Gedrukt boek
R. Grit Ontdek de muziek!
muziektheorie van pop tot klassiek
Non-fictie
Nederlands | 208 pagina's | Unieboek, Houten | 2007
Gedrukt boek
Bas van den Bosch 'Muziekles geven... wat nu?'
hulpboek voor de leerkracht basisonderwijs
Non-fictie
Nederlands | 117 pagina's | Uitgeverij U2pi, Voorburg | 2014
Gedrukt boek
Ineke van Doorn Professioneel zingen voor iedereen
alles over zangtechniek, studeren, optredens en audities
Non-fictie
Nederlands | 401 pagina's | Strengholt United Media, Naarden | 2009
Gedrukt boek
Michael Pilhofer | Holly Day De kleine Noten lezen voor dummies®
Wil je een instrument leren bespelen? Of ben je een gepassioneerd muzikant, die afhaakt wanneer er bladmuziek bij komt kijken? Dit handige boekje is voor iedereen die wil leren noten lezen. Je leest wat verschillende noten en rusten betekenen, hoe maatsoorten worden aangegeven en hoe je die moet tellen. Bovendien maak je kennis met notenbalken, sleutels en nootnamen. Noten lezen kent straks voor jou geen geheimen meer! Michael Pilhofer voltooide een universitaire opleiding muziekeducatie en een opleiding...
Non-fictie
Nederlands | ePub2, 2 MB | Voor Dummies, Amersfoort | 2017
E-book
Orpheus Institute Machinic assemblages of desire
Deleuze and Artistic Research 3
The concept of assemblage has emerged in recent decades as a central tool for describing, analysing, and transforming dynamic systems in a variety of disciplines. Coined by Deleuze and Guattari in relation to different fields of knowledge, human practices, and nonhuman arrangements, "assemblage" is variously applied today in the arts, philosophy, and human and social sciences, forming links not only between disciplines but also between critical thought and artistic practice. Machinic Assemblages...
Non-fictie
Engels | PDF, 27 MB | Leuven University Press, Leuven | 2021
E-book
Orpheus Institute Aberrant nuptials
Deleuze and artistic research 2
Unique focus on the relation between artistic research and the philosophy of Gilles Deleuze. Aberrant Nuptials explores the diversity and richness of the interactions between artistic research and Deleuze studies. "Aberrant nuptials" is the expression Gilles Deleuze uses to refer to productive encounters between systems characterised by fundamental difference. More than imitation, representation, or reproduction, these encounters foster creative flows of energy, generating new material configurations...
Non-fictie
Engels | PDF, 59 MB | Leuven University Press, Leuven | 2019
E-book
Orpheus Institute Voices, bodies, practices
performing musical subjectivities
Identity and subjectivity in musical performances. Who is the "I" that performs? The arts of the twentieth and twenty-first centuries have pushed us relentlessly to reconsider our notions of the self, expression, and communication: to ask ourselves, again and again, who we think we are and how we can speak meaningfully to one another. Although in other performing arts studies, especially of theatre, the performance of selfhood and identity continues to be a matter of lively debate in both practice...
Non-fictie
Engels | PDF, 31 MB | Leuven University Press, Leuven | 2019
E-book
Yves Knockaert Wolfgang Rihm, a chiffre
the 1980s and beyond
Wolfgang Rihm ( b. Karlsruhe, 1952) is the most performed living German composer. With his personal, expressive, and versatile music, he became the most prominent representative of his generation. His individual approach to music was established in the 1980s and he continues to explore and enlarge his original concepts today. His 1980s work is at the core of this book, more specifically his instrumental music: the Chiffre cycle and the string quartets. Thinking about Rihm includes reflecting on his...
Non-fictie
Engels | PDF, 3 MB | Leuven University Press, Leuven | 2018
E-book
Orpheus Institute The dark precursor
Deleuze and artistic research
Deleuze's and Guattari's philosophy in the field of artistic research Gilles Deleuze's intriguing concept of the dark precursor refers to intensive processes of energetic flows passing between fields of different potentials. Fleetingly used in Difference and Repetition, it remained underexplored in Deleuze's subsequent work. In this collection of essays numerous contributors offer perspectives on Deleuze's concept of the dark precursor as it affects artistic research, providing a wide-ranging panorama...
Non-fictie
Engels | 572 pagina's (PDF, 10 MB) | Leuven University Press, Leuven | 2018
E-book
Paul Craenen Composing under the skin
the music-making body at the composer's desk
A revealing study of the physical presence of the musician in musical performance. Fingers slipping over guitar strings, the tap of a bow against the body of a cello, a pianist humming along to the music: contemporary composers often work with parasitic, non-conventional sounds such as these. Are they to be perceived as musical elements or do they shift attention to the physical effort of music-making, contact between a body and an instrument? Composer Paul Craenen explores ways in which the musician's...
Non-fictie
Engels | 288 pagina's (PDF, 2,9 MB) | Leuven University Press, Leuven | 2017
E-book
New paths
aspects of music theory and aesthetics in the age of romanticism
New Paths, the seventh volume in the Writings of the Orpheus Institute, is a result of the third International Orpheus Academy for Music Theory. Five renowned scholars discuss a variety of topics related to romanticism, focusing especially on the years 1800-1840. In a much-needed historical and critical overview of the concept of organicism, John Neubauer ranges from its origins in Enlightenment biology to its aftermath in postmodernism. Janet Schmalfeldt shows that Beethoven's op.47 not only should...
Non-fictie
Engels | 200 pagina's (PDF, 6,7 MB) | Leuven University Press, Leuven | 2017
E-book
Orpheus Institute | Thomas Christensen Partimento and continuo playing in theory and in practice
This volume is a collection of essays based on lectures given at the International Orpheus Academy for Music Theory on 'Music and Theory: Thoroughbass in Practice, Theory, and Improvisation'. Hence the point of departure was not 'Music Theory' as such, but the interaction between music theory, music history, performance practice, aesthetics, and related sciences. This multidisciplinary approach, with the accent on the interplay between music performance and music theory, is reflected in the contributions...
Non-fictie
Engels | 136 pagina's (PDF, 4,3 MB) | Universitaire Pers Leuven, Leuven | 2017
E-book
Orpheus Institute | Thomas Christensen Towards tonality
aspects of baroque music theory
This is a collection of essays based on lectures presented at the International Orpheus Academy for Music and Theory on "Historical Theory, Performance, and Meaning in Baroque Music". The often complex connections and intersections between, e.g., modal and tonal idioms, contrapuntal and harmonic organisation, were considered from various perspectives as to the transition (towards tonality) from the Renaissance to the Baroque era. Bron: Flaptekst, uitgeversinformatie
Non-fictie
Engels | Frans | 205 pagina's (PDF, 17 MB) | Leuven University Press, Leuven | 2017
E-book
Paulo C. Chagas Unsayable music
six reflections on musical semiotics, electroacoustic and digital music
Profound theoretical and philosophical approach to contemporary music. Unsayable Music presents theoretical, critical and analytical reflections on key topics of contemporary music including acoustic, electroacoustic and digital music, and audiovisual and multimedia composition. Six essays by Paulo C. Chagas approaching music from different perspectives such as philosophy, sociology, cybernetics, musical semiotics, media, and critical studies. Chagas's practical experience, both as a composer of...
Non-fictie
Engels | 300 pagina's (PDF, 4,9 MB) | Universitaire Pers Leuven, Leuven | 2017
E-book
Music, analysis, experience
new perspectives in musical semiotics
Transdisciplinary and intermedial analysis of the experience of music. Nowadays musical semiotics no longer ignores the fundamental challenges raised by cognitive sciences, ethology, or linguistics. Creation, action and experience play an increasing role in how we understand music, a sounding structure impinging upon our body, our mind, and the world we live in. Not discarding music as a closed system, an integral experience of music demands a transdisciplinary dialogue with other domains as well....
Non-fictie
Engels | 356 pagina's (PDF, 5,1 MB) | Leuven University Press, Leuven | 2017
E-book
Steven Vande Moortele Two-dimensional sonata form
form and cycle in single-movement instrumental works by Liszt, Strauss, Schoenberg, and Zemlinsky
Two-Dimensional Sonata Form is the first book dedicated to the combination of the movements of a multimovement sonata cycle with an overarching single-movement form that is itself organized as a sonata form. Drawing on a variety of historical and recent approaches to musical form (e.g., Marxian and Schoenbergian Formenlehre, Caplin's theory of formal functions, and Hepokoski and Darcy's Sonata Theory), it begins by developing an original theoretical framework for the analysis of this type of form...
Non-fictie
Engels | 220 pagina's (PDF, 6,8 MB) | Leuven University Press, Leuven | 2017
E-book
Unfolding time
studies in temporality in twentieth century music
Questions concerning music and its inextricably intertwined and complex interface with time continue to fascinate musicians and scholars. For performers, the primary perception of music is arguably the way in which it unfolds in 'real time'; while for composers a work appears 'whole and entire', with the presence of the score having the potential to compress, and even eliminate, the perception of time as 'passing'. The paradoxical relationship between these two perspectives, and the subtle mediations...
Non-fictie
Engels | 198 pagina's (PDF, 12 MB) | Leuven University Press, Leuven | 2017
E-book